A Japanese desert deserves a Japanese page: warm washi ground, sumi-dark ink, and the action colour taken from aizome indigo rather than the sand, so the dune gold can stay what it is on the coast: the horizon line, used sparingly. Kaisei Tokumin gives the headlines their brushed serifs; Chivo Mono keeps the bus times honest.
Two recurring devices: the ripple divider, wind lines in sumi with an indigo sun disc, after the woodblock skies; and the enso double ring as section numeral. The mark sets the horse's back ridge under a rising sun.